As Shore, As Dream
As Shore, As Dream is an ongoing installation performance that traces how personal and collective histories flow, fragment, and merge like water, like stories. It gathers those present and absent who are here now, who once were, and who may never have been into a night of Ghost 2568: Wish We Were Here.
We understand the work as a living archive: emotions, fictions, the living and the dead, the memories we forget and the ones we remake. All of these count as history, and all of them belong in the archive. Moving between writing from sound and making sound from writing, we call back the past and hold the present before it slips away, while accepting the gentle work of forgetting. We come ashore in each other’s dreams. Swimming toward, away, and around one another. Circling, returning, and learning until we reach a dream shore that is ours, and are ready to depart again, letting the new current continue.
As Shore, As Dream ๏ เป็นฝั่ง เป็นฝัน ๏ GHOST2568
Curators
Amal Khalaf | Pongsakorn Yananissorn
Commissioned by
Ghost Foundation | OPEN FIELD
Director/Writer/Editor
Puangsoi Aksornsawang
Sound Artists
Liew Niyomkarn | baitong~xystems (Tongkwai Lulin) | Rhythm of Sati (Tavisrut Burapat)
Performers
Ornanong Thaisriwong | Wanlop Rungkumjad
Scenographers
Pornpan Arayaveerasid | Rueangrith Suntisuk
Sound Engineer (Performance)
Nopphon Cheng
Sound Engineer (Prologue)
Artit Vongmetta
Voice Performers
Prim Patnasiri (EN) | Ornanong Thaisriwong (TH) | Piyakal Sinprasert (TH/DE)
Technical Support
Piti Boonsom
Production Manager
Paaroon Chuprasert
Administrator
Kornkanok Wongsuwan
Documentation
Jessada Chan-yaem
Special Thanks
Supamas Phahulo | Op Sudasna | Parinee Buthrasri | Maneenoot Boonrueng
Tommy Hanson | Liew Niyomkarn is supported by Flanders State of the Art.
Audio equipment supported by
Fuzion
Supported by DuckUnit | Bangkok CityCity Gallery
Venue Support 469 Phra Sumen Rd
Puangsoi Aksornsawang, As Shore, As Dream, Ghost2568, November 7, 2025,
469 Phra Sumen Rd, Bangkok. Photo by Maneenoot Boonrueng.